Bernardo doesn't just use the camera to convey just one sentence. "His style is not unlike that of Faulkner who'll go on for 30 pages without a period. It featured grandiose scenes and intimate moments, and a flashback structure that is typical of biopics.Ĭinematographer Vittorio Storaro, who often worked with Bertolucci and won one of his three Oscars with Last Emperor, compared the director to William Faulkner. It was filmed in the lush and vivid style that was one of Bertolucci's trademarks. "Maybe I'm an idealist, but I still think of the movie theatre as a cathedral where we all go together to dream the dream together," he said upon receiving an award from the Director's Guild of America for his 1987 film The Last Emperor. He always said that making films was his way of communicating with the audience. Praise for his vivid styleīertolucci's movies also bore the imprint of the director's own experiences in psychoanalysis. He was honoured for lifetime achievement at the Cannes Film Festival in 2011. "When it comes to commercial cinema, I have the strange pleasure of feeling that I'm from another tribe, an infiltrator," he told Italian daily Corriere della Sera in 1990. He maintained critical success for most of his career, weathering the controversies that his sexually provocative work would stir and some commercial flops.
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